Dipartimento di Lettere, Lingue e Beni Culturali

Previous Academic and Working Positions

2023-now: Assistant Professor (tenure track), Dipartimento di Lettere, Lingue e Beni Culturali, Università degli Studi di Cagliari;

2021-2023: Guest researcher, School of Music, Theatre and Art, Örebro Universitet (Sweden);

2018-2023: Wissenschaftliche Mitarbeiterin, Abteilung für Musikwissenschaft/Sound Studies, Rheinische Friedrich-Wilhelms-Universität Bonn (Germany);

2017-2018: Postdoctoral Researcher, Leibniz-Institut für Europäische Geschichte Mainz (Germany)

2017: Postdoctoral Researcher, Walter-Benjamin-Kolleg, Universität Bern (Switzerland)

2016: Lecturer, Institut für Musikwissenschaft, Universität Bern (Switzerland)

2016: Postdoctoral Researcher, Philosophisch-historische Fakultät, Universität Bern (Switzerland)

2012-2015: Wissenschaftliche Mitarbeiterin, Institut für Musikwissenschaft, Universität Bern (Switzerland)

2010: Research assistant, Fondazione Archivio Luigi Nono, Venice.

 

Education

2016: Ph.D. in Musicology, Universität Bern (Svizzera). Dissertation: Coscienza fonografica. La riflessione sul suono registrato nell'Italia del primo Novecento. Supervisor: Prof. Dr. Anselm Gerhard. Grade: summa cum laude (6/6);

2011: MA in Musicology, Università degli Studi di Pavia (Cremona). Thesis: “Satyricon” di Bruno Maderna (1973): analisi delle strutture musicali e drammaturgiche. Supervisors: Prof. Angela Ida De Benedictis, Prof. Fabrizio Della Seta. Grade: 110/110 e lode;

2008: BA in Musicology, Università degli Studi di Pavia (Cremona). Thesis: “La donna è mobile”, opera buffa in un atto e tre scene di Riccardo Malipiero (1957). Supervisor: Prof. Angela Ida De Benedictis. Grade: 110/110 e lode;

2007: MA in Music (viola), Conservatorio Giuseppe Nicolini, Piacenza. Grade: 8/10.

 

Research topics:

History of twentieth-century music; Music theatre; Music analysis and philology; Music historiography; Music reception; Cultural historyt of musical reproduction and sonic media; Media archeology; Music and politics; Social and economic history of music and sound.

Questionnaire and social

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